The 6th-generation RX100-series camera is here! The aptly-named Sony RX100 VI, announced today, sports a familiar, compact body but features an all-new, longer-zooming lens -- a Zeiss Vario-Sonnar T* 24-200mm f/2.8-4.5 lens -- the longest zoom lens we've so far seen in the RX100 family. Using what Sony calls "extra high-density construction," Sony engineers have been able to create a camera that keeps the same size and footprint as the RX100 V; when retracted, the lens itself is only about a half-inch thick! The camera features similar ergonomics and overall design too, including the nifty pop-up EVF and tilting LCD screen which now finally has touchscreen functionality!
As with previous RX100-series cameras, this new model is decidedly a premium model. Aimed at professional and enthusiast photographers as well as vloggers and other video creators, the RX100 VI offers numerous high-performance photo features and high-resolution 4K video specs for video shooters.
As for the imaging pipeline, the RX100 VI, not surprisingly, uses the same 20.1-megapixel 1-inch-type Exmor RS stacked CMOS sensor as the Mark V, which is paired with Sony's latest BIONZ X image processor and a front-end LSI. What this should get you is high-quality, detail-rich photos with good high ISO chops as well as quick, nimble performance for fast, action subjects.
When it comes to ISO sensitivity, the Mark VI is similar to the previous-generation, with a native ISO range of 125-12,800. The ISO can be extended down to ISO 80 and 100, as well as upward to ISO 25,600 with Multi-Frame NR.
A significant factor to image quality is the lens sitting in front of the sensor, and with the RX100 VI, its lens is one of the headlining new features. With the RX100 VI, the new 24-200mm-eq. optical zoom lens is the longest zoom offered in the RX100 series to date. The first twogenerations offered a fairly healthy 28-100mm-eq. range with an f/1.8-4.9 max aperture, while subsequent versions widened and shortened the zoom to a classic 24-70mm-eq. range with an f/1.8-2.8 max aperture. With this latest-generation model, Sony's been able to pack in a more versatile, longer zoom lens -- with an optical zoom range once relegated to Sony's bulkier RX10 and RX10 II super-zooms -- yet keep the svelte RX100 size and shape. The aperture range isn't as fast as the shorter-zooming predecessors, but instead offers a moderate f/2.8-4.5, which is quite impressive given the camera's size constraints.
When it comes to optical construction, the RX100 VI's lens includes eight aspherical elements with 13 aspherical surfaces that should help provide sharp image quality across the frame. Four "advanced aspherical" elements and two ED glass elements help combat spherical aberration and coma as well as chromatic aberration, respectively.
The lens features powerful optical image stabilization, too, which should come in very handy at telephoto focal lengths, given the lens' somewhat dim f/4.5 aperture at max telephoto. According to Sony, at 200mm, the SteadyShot system should provide up to 4-stops of stabilization.
As with the RX100 V, the performance packed into this tiny pocket-camera is quite impressive and based on the specs, the RX100 VI is looking to be similarly excellent when it comes to AF speeds and burst performance.
Featuring on-sensor phase-detect AF with 315 PDAF points covering around 65% of the imaging area, the RX100 VI's Hybrid AF system (which combines PDAF with contrast-detect AF) is said to be even faster than the previous RX100 at a blazing 0.03s AF speed (down from 0.05s in the Mark V). The camera also features continuous Eye AF tracking functionality, similar to what we've seen with the Sony A7III and A( cameras, with two times the tracking performance of the RX100 V, according to Sony.
Given the popularity of the RX100 series for videographers and vloggers, it's no surprise that this latest model is packed with video features. The camera can shoot video up to 4K UHD resolution (3840 x 2160) using the XAVC S codec with full pixel readout (no pixel binning). 4K video is captured at up to 30fps (no 4K/60p, unfortunately). Continuous 4K video clip recording time is limited to just five minutes (same as on RX100 V), while Full HD recording extends to 29'59". The 4K recording limit feels a little disappointing and restrictive, given the camera's target audience of vlogging -- you can't vlog for very long if you want to shoot in 4K.
The RX100 VI also offers numerous advanced and professional-focused video features, including HDR movie recording (Hybrid Log Gamma), as well as S-Log3 and S-Log2 gamma curves for improved post-production color grading. The camera also includes Gamma Display Assist, exposure zebras, clean HDMI output, Timecode (TC/UB), Rec Control, marker functions, and proxy recording.
There's also extensive slow-motion video functionality, with 4x-40x slow-motion capture (frame rates up to 960fps, although at reduced video resolutions).
The Sony RX100 VI shown here mounted to the new VCT-SGR1 Shooting Grip (sold separately).
Although from a glance the RX100 VI looks nearly identical to the previous generation, there are a few updates to the camera's physical design. Size and weight are similar, despite the longer zoom lens. The rear LCD features the most significant change: touchscreen functionality, a first for the RX100-series. Much like the recent touchscreens we've seen on Alpha mirrorless cameras, the RX100 VI's touchscreen works only for touch AF (moving the AF point) or using a touch-shutter feature. You can't navigate menus with the touchscreen. The rear LCD uses a standard RGB LCD panel, as opposed to the RGBW screen of the previous model, but the effective 307,200 pixel resolution is the same (921,600 dots on the RX100 VI compared to the RX100 V's 1,228,800 dot RGBW screen).
As with the previous model, the RX100 VI also offers a pop-up electronic viewfinder, but with a clever new one-touch access mechanism. It uses the same 2.35-million-dot OLED display with 0.59x magnification (35mm eq.), and ZEISS T* coating to help reduce glare and improve image clarity.
The RX100 VI also includes pop-up flash, although Sony's had to make the flash smaller and weaker than on the previous model.
When it comes to connectivity features, the Sony RX100 VI includes a similar array of wireless features as on most modern cameras. There are Wi-Fi and NFC connectivity options as well as, for the first time, Bluetooth (4.1), which allows for automatic location geotagging with a paired smart device using the PlayMemories app. With Wi-Fi/NFC and a paired smartphone, you can wireless transfer images and videos as well as control the camera remotely. The RX100 VI also supported tethered shooting using Sony's Imaging Edge desktop software, allowing you to remotely control the camera, see a live-view of the screen on your PC as well as edit/develop RAW files.
The RX100 VI uses the same battery pack as previous RX100 models, the NP-BX1. CIPA-rated battery life has improved slightly compared to the Mark V, from 220 shots to 240 when using the monitor and from 210 to 220 with the EVF, but it's still not great. However when Auto Monitor Off is reduced to 2 seconds, battery life with the LCD can be extended to 310 shots. In-camera charging and power via USB are still supported.